Young Adult Book Review: Ruin and Rising by Leigh Bardugo
The final book in the Grisaverse Trilogy, Ruin and Rising, was everything I expected it to be—almost. Same great writing, same lovable characters, broken hearts and action and adventure. But there was on thing I didn’t get, and from what I’ve read of other reviews, other people seem to feel much the same way. If you want to know more, scroll past the picture, but if you don’t stop reading now.
The one thing I felt this book didn’t deliver to me on was the ending. I was expecting much of what happened. But I was expecting/hoping for all of it to end much more tragically than it did. Maybe I’m just all dark and twisty inside, but sometimes a happy ending seems to me to be too happy, almost forced, and almost not realistic. But also, I was just hoping for a different pairing at the end than what I got.
Still, I love this magical world and all of the unique elements to Grishaverse. I’ll probably read the other Grishaverse books. I hear that the other books are even better. Maybe I’ll even start one this weekend.
Your character approaches this sign. Describe it. Can they afford to buy something here? Do they have to steal it? Do they covet it? Write first person what your character thinks when they see this sign.
Young Adult Book Review: Siege and Storm by Leigh Bardugo
Book Two of the GrishaVerse trilogy starts off pretty much where the first book ends. Now, this book begins with one of my pet peeves. If you haven’t read the book yet, or even finished the first book of the GrishaVerse, you may not want to read the rest of this review below, as I’m going to share this particular pet peeve of mine. But don’t worry, after the beginning, the book did get better.
This book began with a pet peeve of mine. It’s a particularly common trope in fantasy: end book one with the hero/heroine breaking free, and begin book 2 with them instantly being recaptured. I find this a complete waste of plot, as often, absolutely nothing happens when the hero is free. Instead, it’s used a device to end book one in a ‘happy ever after’, just in case the publisher never releases book two. I really dislike this plot device. However, as I said above, the book does get better after the beginning.
Alina grows more as a character in this one, and the story moves from Alina having choices made for her (ie. capture and release), to her making choices. But the best part about this book was Nikolai. I love Nikolai. He is by far my favorite character in this series. I wish there could have been more of him. That’s all I’m going to say. Read this book for Nikolai. End of.
One of the most difficult parts of being a writer with a day job that I didn’t realize until I was no longer a full-time writer, is how difficult it is to keep your head on your current Work-In-Progress. (Aside: This month marks one year since I started my grant time, that wonderful four months where I got to be a full-time writer with no worries). When I was writing full-time, the majority of my day consisted of thinking of my characters, of writing about my characters, opening up one story and closing it off. Now my days consist of scrambling to get little ones to day care, struggling through morning rush-hour traffic, checking office emails, making clients happy—and above all, spending most of my brain power on my day job. My escapes tend to be daydreams that mostly involve new, great ideas. Because—for whatever great-cosmically-inspired reason—new ideas require less brain power than old ideas.
New ideas “just come to me”, they “fall in my lap”, “appear out of nowhere”, “must be really good if I can already see it”, and all of these little reasons I tell myself lead to the New Idea Trap.
The New Idea Trap is the reasoning that the new idea, the one you haven’t spent any time on, is the good idea. It is the one that someone will love enough to publish and give you a large advance for. The reality is that it is only good because you haven’t done any actual work on it yet. Just like the new job you got at Burgers R Us feels like it will be an amazing career where you make lots of money until you actually have to wake up at 6 in the morning to get to work on time. Work feels easy until you are actually working. Ideas are just ideas, they aren’t a book, story, or completed series yet.
So, how do you put aside those new ideas and focus on your current work in progress?
What I do is track my new ideas. I give myself a bit of time with them. I write a few pages of background, maybe a character sketch or two, I might draw a map or write the first scene. Then, often, the fire dies down. I begin to see how much work the New Idea is actually going to be. How much of my time the New Idea is going to eat up. And I see that I’ve already put so much time into my WIP that it is better to stay that road, and move onto the New Idea once I’ve finished my WIP, once I’ve felt that sweet, sugary bite of accomplishing my goal.
But I don’t lose track of my ideas. I keep them all tidied up a few journals, tabbed with sticky notes. I keep lists of these works. And one of my favorite parts of writing is when I finish one projects, and get to pick the next one from the list. I spend time reviewing each of my potential creations, and see which one captures my attention at that moment.
And then I get to work, again. Idea book by my side, to capture whatever stray ideas cross my path while I’m sitting at my (day job) desk.